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Orchestral Music

Lakay (String-Perc)

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Lakay (String-Perc)
$40.00

Duration

4:15 minutes

Instrumentation

for String Orchestra and Percussions

Violin I - Violin II - Viola - Cello - Bass
Conga - Bongos - Maracas

Composer/Arranger

music by Christopher Ducasse

Policy

Instrumental works include 1 Full Conductor Score and Parts (8/8/5/5/5 for strings, and 1 per any other instruments).


It is a breach of copyright law to make more copies than the amount purchased. Please order the number of copies needed for every member of the ensemble, including the conductor and the accompanist.

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Christopher Ducasse

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Description

 

"Lakay" is a Haitian Creole title and translates to "Home" in English.

Being a native Haitian who has spent a lot of years away from my home country, this piece expresses some thoughts and feelings of longing for your home sweet home. Lakay isn't a sad piece; on the contrary, it is pretty excited and full of energy, which is a representation of the Haitian culture, consistently strong, always looking at the bright side, and Happily moving forward in life while honoring and remembering our past.


This composition is based on a Haitian Rhythm called "Yanvalou." Yanvalou is a Rhythm and Dance of Haiti named after its associated movements. Yanvalou is one of the most important rhythms in Haitian folklore; it is sometimes linked to "Knowledge," "Patience," "Strength," and "Healing." Usually played on Three different congas named "Manman (mother)," "Segon (second)," and "Kata," the latter being always played with sticks on the body of a conga. I used one conga in to play a combination of the "manman" and segon" rhythm and two bongos with sticks for a variation of the "Kata." The beat of the rhythm of Yanvalou is a combination of Triple-Duple time (1-2-3 |1 2) in this composition, with three eighth-notes forming the triple and two dotted eighth-notes (or eighth-notes Duplet) for the duple.

Description

 

"Lakay" is a Haitian Creole title and translates to "Home" in English.

Being a native Haitian who has spent a lot of years away from my home country, this piece expresses some thoughts and feelings of longing for your home sweet home. Lakay isn't a sad piece; on the contrary, it is pretty excited and full of energy, which is a representation of the Haitian culture, consistently strong, always looking at the bright side, and Happily moving forward in life while honoring and remembering our past.


This composition is based on a Haitian Rhythm called "Yanvalou." Yanvalou is a Rhythm and Dance of Haiti named after its associated movements. Yanvalou is one of the most important rhythms in Haitian folklore; it is sometimes linked to "Knowledge," "Patience," "Strength," and "Healing." Usually played on Three different congas named "Manman (mother)," "Segon (second)," and "Kata," the latter being always played with sticks on the body of a conga. I used one conga in to play a combination of the "manman" and segon" rhythm and two bongos with sticks for a variation of the "Kata." The beat of the rhythm of Yanvalou is a combination of Triple-Duple time (1-2-3 |1 2) in this composition, with three eighth-notes forming the triple and two dotted eighth-notes (or eighth-notes Duplet) for the duple.

Ducasse, Christopher
Ducasse, Christopher
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